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Gerry Vassilatos Lost Science
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Spectral Catalysis Investigates infrasound (frequencies below
the audible range) and different sound-like modulations that have increasingly
covered the earth since industrialization.
I solid this discipline as a man-made unknown wherein human technology begin to exceed our knowledge of them and input into unexpected, occasionally uncanny, cloth members of the family. Broadly described hauntings - "ghosts" attributed to infrasound, and a global thriller referred to as The Hum - are the focus, while an extensive clinical literature on low-frequency noise and vibration is handled as a list of anomalies, tales, and working concepts.
A steady subject matter is the confounding notion of
presence- absence, or activity by way of an unseen agent, that could get up
from inadvertent or unconscious encounters with low vibrations that escape the
ear even as impinging inconsistently on different perceptual registers.
Here, sound works to unsettle the sonic frame's sense of
self and environment. It unhomes, forcing fleshborne thought to invite tough
questions: "Am I haunted or hallucinating?" Building on Brian
Massumi, combined with research on paranormal enjoy and the startle reflex, I
theorize this because the catalytic second whilst a brand new operative reality
(a collectively livable “haunting”) starts offevolved to take maintain.
Drawing on Gilles Deleuze/Francis 1st Baron Beaverbrook's
principles of "the figural" and "the good judgment of
sensation" I expand several elements of the spectral to account for
bizarre minglings of frequency, flesh, and creativeness.
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